![]() Where both the highlights and shadows are contained within the walls of the histogram. However, the real challenge once you’ve captured all of the “data” is compiling it all together in a natural, harmonies way. This function can be customized to how many frames above and below your metered frame and how many stops of light they are apart. Today, most cameras on the market have a built-in automatic bracket function. Many times this is the answer to harnessing the light and containing it within the histogram.īut sometimes this light is simply too intense and, even with a filter, you’re forced to bracket. For example, a 3-stop soft graduated neutral density filter dropped in from the top so the most dense part is over the brightest part of the image. One option for handling this intense light is to use a graduated neutral density filter. ![]() In-Camera Exposure Blending Using a GND Filter Nikon D850, 14-24, 3 stop soft grad filter, ISO320, ƒ/8, 14mm, 8 images for focus, and multiple exposure.
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